The सप्तमं काण्डम् section of the Atharvaveda Saṃhitā, part of a Vedic collection containing hymns, prayers and ritual materials on diverse aspects of life.

The एकादश काण्डम् section of the Atharvaveda Saṃhitā, part of a Vedic collection containing hymns, prayers and ritual materials on diverse aspects of life.

The त्रयोदश काण्डम् section of the Atharvaveda Saṃhitā, part of a Vedic collection containing hymns, prayers and ritual materials on diverse aspects of life.

The द्वादश काण्डम् section of the Atharvaveda Saṃhitā, part of a Vedic collection containing hymns, prayers and ritual materials on diverse aspects of life.

An eight-verse devotional or contemplative composition associated with the ideal of the avadhūta.

A traditional Smṛti or Dharmashastra work titled Angiras Smriti, concerning religious duties, conduct and customary norms.

Atmabodha Upanishad - Explores self-knowledge through the imagery of the body, breath, and inner awareness, directing the seeker from bodily identity toward the witnessing Self.

A six-verse contemplative hymn on the true Self, commonly associated with non-dual Vedānta.

Atma Upanishad - Describes the Self through its relationship to the body and states of experience, distinguishing the changing person from the unchanging inner reality.

The Adhyatma Ramayana is a revered 13th- to 15th-century Sanskrit text from the Brahmanda Purana that reframes Valmiki's classic epic through the lens of Advaita Vedanta (non-dualism) and intense Bhakti (devotion). Structured as a divine dialogue between Lord Shiva and Goddess Parvati, it departs from portraying Rama merely as an ideal human king, instead depicting him directly as the Supreme Brahman / Paramatma (the ultimate, unchanging reality). In this spiritual retelling, Rama’s worldly actions and human emotions are explained as a divine play (lila) enacted through Maya (illusory energy), and even the abduction of Sita is resolved by introducing a "shadow Sita" (Maya Sita), keeping the divine principles untainted by earthly suffering. Highly influential across India, this text serves as the core philosophical blueprint for Tulsidas's Ramacharitamanasa and is widely used for ritualistic chanting (Parayanam), especially in South India, to invoke liberation, spiritual wisdom, and inner peace.

A compilation of Aarti hymns used in worship and devotional gatherings.

A compilation of ārati hymns used in Hindu worship and devotional gatherings.

Aruni Upanishad - Sets out the renunciant’s way of life, emphasizing detachment, simplicity, disciplined conduct, and the pursuit of knowledge of Brahman.

Isha Upanishad - A short foundational Upanishad on the divine presence pervading the universe, the balance of action and renunciation, and seeing the same Self in all beings.

The Eighth Mandala section of the Ṛgveda Saṃhitā, comprising Vedic hymns addressed to deities and reflecting early Vedic ritual and religious thought.

The Fourth Mandala section of the Ṛgveda Saṃhitā, comprising Vedic hymns addressed to deities and reflecting early Vedic ritual and religious thought.

The Third Madala section of the Ṛgveda Saṃhitā, comprising Vedic hymns addressed to deities and reflecting early Vedic ritual and religious thought.

The Tenth Mandala section of the Ṛgveda Saṃhitā, comprising Vedic hymns addressed to deities and reflecting early Vedic ritual and religious thought.

The Second Mandala section of the Ṛgveda Saṃhitā, comprising Vedic hymns addressed to deities and reflecting early Vedic ritual and religious thought.

The Ninth Mandala asection of the Ṛgveda Saṃhitā, comprising Vedic hymns addressed to deities and reflecting early Vedic ritual and religious thought.

The Fifth Mandala section of the Ṛgveda Saṃhitā, comprising Vedic hymns addressed to deities and reflecting early Vedic ritual and religious thought.

The First Mandala section of the Ṛgveda Saṃhitā, comprising Vedic hymns addressed to deities and reflecting early Vedic ritual and religious thought.

the First Mandala section of the Ṛgveda Saṃhitā, comprising Vedic hymns addressed to deities and reflecting early Vedic ritual and religious thought.

The Sixth Mandala section of the Ṛgveda Saṃhitā, comprising Vedic hymns addressed to deities and reflecting early Vedic ritual and religious thought.